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In 1994, Bob Molyneux, a retired policeman, rediscovered a reel-to-reel tape he had made of the show while experimenting with a Grundig portable tape recorder. The Quarrymen played a show for the Woolton fête at St Peter's Parish Church, notable as the day that Paul McCartney was first introduced to Lennon by a mutual friend, Ivan Vaughan. Other than the commercially released songs with Tony Sheridan issued on In the Beginning (Circa 1960), only three recordings made by the group prior to 1962 have become public. The Quarrymen / Silver Beatles era (1957–1960) Several books have been devoted to comprehensively documenting Beatles bootlegs the following is a list of some of the most common or notable bootlegged recordings by the Beatles. The largest single source of Beatles bootleg material is the set of Nagra audio tapes from the 1969 filming of the Get Back / Let It Be rehearsal and recording sessions.
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Starting with vinyl releases in the 1970s, through CD issues in the late 1980s, and continuing with digital downloads starting in the mid 1990s, the Beatles have been, and continue to be, among the most bootlegged artists.īootleg recordings arise from a multitude of sources, including radio and TV broadcast performances, live shows, studio outtakes and session tapes, alternate mixes, test discs, and home demos. The term most often refers to audio recordings, but also includes video performances. I think McCartney sold his artistic soul down the river here.The Beatles' bootleg recordings (also known as "Beatlegs" are recordings of performances by the Beatles that have attained some level of public circulation without being available as a legal release. It does seem a bit of a slap in the face for all those who have done wonderful cover versions of his nothing song, presumably because of its melody and lyrics, not its riff. He has always seemed uncomfortable performing the song…next we’ll be hearing Harrison wrote the whole thing. Whether McCartney is bowing to pressure from the underrated George deserves writing credit for XY & Z brigade or whether it lets him off the hook for writing it about Jane Asher, who knows. Yet in a recent interview he said the song wasn’t anything without George’s riff and that George Martin was looking for an intro – no mention of a middle eight. Here he says it’s the first ballad he impressed himself with while John regarded it as Paul’s first Yesterday. What’s more strange is Paul’s attitude to the song. That’s how it was probably perceived at the time of recording but none of us were there in the studio so its anyone’s guess how it unfolded. From the first time I heard the song the riff never seemed that removed from the chord structure of the melody itself. George’s riff may be iconic but it seems no big thing to me. The middle section, meanwhile, came about in the studio, as music publisher Dick James later recalled. The success of ‘And I Love Her’ owes much to the simplicity of its lyrics, and to the effectiveness of George Harrison’s acoustic guitar solo, for which the song’s key switches from F# minor to G minor. Again they were unhappy with the results, however, and it was re-recorded on 27 February in just two takes. They returned to it the next day, recording 16 takes and changing the song’s arrangement as they went along.
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The second take was later released on Anthology 1.
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They recorded two takes that day, with a full electric line-up, but it was evidently not the sound they were after. The Beatles began recording ‘And I Love Her’ on 25 February 1964. The session took place at Broadcasting House in London, and was first broadcast two days later. On 14 July 1964 they played it for the BBC’s Top Gear radio show. The group played it during the ‘studio performance’ sequence, which was filmed on 31 March 1964 at the Scala Theatre, London.Īlthough it became one of The Beatles’ most admired recordings following its release, the group only performed ‘And I Love Her’ once outside Abbey Road. ‘And I Love Her’ was one of the songs featured in The Beatles first film, A Hard Day’s Night. Paul McCartney Many Years From Now, Barry Miles